Saturday, December 29, 2007

Mao and the art of management





Christmas Specials

Staying at the top

Mao and the art of management

Dec 19th 2007


Books on management tend to define success in the broadest possible terms—great product, happy employees, continuous improvement, gobs of profits, crushed competitors. Even when words such as “excellence” and “success” are omitted from the title, they are often implicit. A case in point is the book which many would say defined the genre, Alfred Sloan's “My Years with General Motors”, published in 1963 when GM was still an iconic company and Sloan correctly acknowledged as the architect of the well-run, decentralised, global corporation.

A role model, of sorts



But focusing on how the best produce the best has its limits. Most managers, after all, do not stitch an industrial triumph from a vast bankrupt junkyard, as Sloan did. They do not delight their customer, crush competitors and create vast wealth. They struggle. They stumble.

Where is the book for them? Who can help the under-performing, over-compensated chief executive fighting to survive intrusive journalists, independent shareholders and ambitious vice-presidents who could do a better job? Where is the role model for the manager who really needs a role model most—the one who by any objective measure of performance cannot, and should not, manage at all?

An obvious candidate is Mao. Yes, he was head of a country, not a company. But he self-consciously carried a business-like title, “chairman”, while running China from 1949 until dying in office in 1976, having jailed, killed, or psychologically crushed a succession of likely replacements and therefore created the classic business problem: a succession void. He thought of himself as, in his own words, an “indefatigable teacher” and the famous “Little Red Book” drawn from his speeches is packed with managerial advice on training, motivation and evaluation of lower-level employees (cadres); innovation (“let a hundred flowers bloom”); competition (“fear no sacrifice”); and, of course, raising the game of the complacent manager (relentless self-criticism).

Mao still has at least a symbolic hold over the Chinese economy, even though it began to blossom only after death removed his suffocating hand. His portrait is emblazoned on China's currency, on bags, shirts, pins, watches and whatever else can be sold by the innumerable entrepreneurial capitalists that he ground beneath his heel when in power. No other recent leader of a viable country (outside North Korea, in other words) is so honoured—not even ones that did a good job.

It was not a nurturing management style that won Mao this adulation. According to Jung Chang's and Jon Halliday's “Mao, the Unknown Story”, admittedly an unsympathetic portrait, he was responsible for “70m deaths, more than any other 20th-century leader”. But why stop at the 20th century? In Chinese history, only Emperor Qin Shi Huang, who started building the Great Wall (in which each brick is said to have cost a life), was competition for Mao; and since the population was much smaller then, Mao is likely to have outdone him in absolute numbers.

Botched economic policies caused most of the carnage. Deng Xiaoping, Mao's successor, turned the policies, and eventually the economy, around. Yet he does not even merit an image on a coin.

The disparity between Mao's performance and his reputation is instructive, for behind it are four key ingredients which all bad managers could profitably employ.

• A powerful, mendacious slogan

Born a modestly well-off villager, Mao lived like an emperor, carried on litters by peasants, surrounded by concubines and placated by everyone. Yet his most famous slogan was “Serve the People”. This paradox illustrates one aspect of his brilliance: his ability to justify his actions, no matter how entirely self-serving, as being done for others.

Psychologists call this “cognitive dissonance”—the ability to make a compelling, heartfelt case for one thing while doing another. Being able to pull off this sort of trick is an essential skill in many professions. It allows sub-standard chief executives to rationalise huge pay packages while their underlings get peanuts (or rice).

But Mao did not just get a stamp from a compliant board and eye-rolling from employees. He convinced his countrymen of his value. That was partly because, even if his message bore no relation to his actions, it expressed precisely and succinctly what he should have been doing. Consider the truth and clarity of “serve the people” compared with the average company's mission statement, packed with a muddle of words and thoughts tied to stakeholders and CSR, that employees can barely read, let alone memorise.

Deng Xiaoping's slogan, which he used in his campaign to revive the economy, had similar virtues. “Truth from facts” is a sound-bite that Sloan would have loved and every manager should cherish, but you won't find it chiselled on a Chinese wall. It doesn't have the hypocritical idealism of Mao's version—nor was it pushed so hard.

• Ruthless media manipulation

Mao knew not just how to make a point but also how to get it out. Through posters, the “Little Red Book” and re-education circles, his message was constantly reinforced. “Where the broom does not reach”, he said, “the dust will not vanish of itself.” This process of self-aggrandisement is often dismissed as a “personality cult”, but is hard to distinguish from the modern business practice of building brand value.

Yet within China economic growth was pathetic and living conditions were wretched. So why did a vast list of Western political, military and academic leaders accept the value of Mao's brand at his own estimation? Even Stalin, no guileless observer, believed in and, to his later regret, protected Mao. The brand-building lesson is that a clear, utopian message, hammered home relentlessly, can obscure inconvenient facts. Great salesmen are born knowing this. Executives whose strategies are not delivering need to learn it.

Chief executives are not in a position to crush the media as Mao did. Nevertheless, his handling of them offers some lessons. He talked only to sycophantic journalists and his appeal in the West came mainly from hagiographies written by reporters whose careers were built on the access they had to him.

The law constrains the modern chief executive's ability to imitate Mao's PR strategy. Publicly listed companies have to publish information, rather than hand it out selectively. But many, within bounds, emulate Mao's media management; others, determined to control information about them, are delisting. Burrow beneath laudatory headlines on business and political leaders, and it becomes clear that the strategy works.

• Sacrifice of friends and colleagues

“Who are our friends? Who are our enemies? This is a question of first importance,” Mao wrote. Sloan agreed. He worried that favouritism would come at the expense of the single most valuable component of management: the objective evaluation of performance.



...but Mao's HR policies meant Happy Revolutionaries

Mao had a different goal: he did not want people too close to him, and therefore to power; so being Mao's friend often proved more dangerous than being his enemy. One purge followed another. Promotions and demotions were zealously monitored. Bundles of incentives were given and withdrawn. Some demotions turned out well. Deng Xiaoping's exile in a tractor factory may have helped him understand business, and thus rebuild the economy, but that was an unintended benefit.

This approach makes sense. Close colleagues may want your job, and relationships with them may distract you. Mao's abandonment of friends and even wives and children seemed to be based on a calculation of which investments were worth maintaining and which should be regarded as sunk costs. Past favours were not returned. According to Ms Chang and Mr Halliday, a doctor who saved his life was left to die on a prison floor after being falsely accused of disloyalty. Mao let it happen: he had other doctors by then.

Enemies, conversely, can be useful. Mao often blamed battlefield losses on rivals who were made to suffer for these defeats. The names of modern victims of this tactic will be visible on the list of people sacked at an investment bank after a rough quarter; the practitioners are their superiors, or those who have taken their jobs.

• Activity substituting for achievement

Mao was quite willing to avoid tedious or uncomfortable meetings, particularly when he was likely to be criticised. But maybe that helped him avoid getting bogged down. From the Anti-Rightist Movement of the late 1950s to the Great Leap Forward, a failed agricultural and industrial experiment in the early 1960s, to the Cultural Revolution in the late 1960s, Mao was never short of a plan.

Under Mao, China didn't drift, it careened. The propellant came from the top. Policies were poor, execution dreadful and leadership misdirected, but each initiative seemed to create a centripetal force, as everyone looked toward Beijing to see how to march forward (or avoid being trampled). The business equivalent of this is restructuring, the broader the better. Perhaps for the struggling executive, this is the single most important lesson: if you can't do anything right, do a lot. The more you have going on, the longer it will take for its disastrous consequences to become clear. And think very big: for all his flaws, Mao was inspiring.

In the long run, of course, the facts will find you out. But who cares? We all know what we are in the long run.

Corbis



Alfred Sloan would have disapproved...


Source: http://www.economist.com/opinion/displayStory.cfm?Story_ID=10311230


Saturday, November 17, 2007

America, the Beautiful 美丽的美国

Love Our China 爱我中华 by 宋祖英

Some Chinese friend had pointed out that this song is actually starting with the tone in "Hallelujah" of famous Christian song.



Love our China ...... , love our China, Sa luo lo, sa luo lo, sa lou lo, sa lou lo, Ha.

56 star sites, are 56 flowers.

56 brotherly ethinic groups of brothers and sisters, is in one family

56 kinds of languages confine into one sentence, Love Our China, Love Our China, Love Our China.

Hai lo lilo hailo hai, hai lo lilo hailo hai, hai lo lilo hailo, lilo hailo, Love Our China!

(Repeat)

Love Our China, (In the) steps (as the) stronger striking (up)

Love Our China, Construct our country

Love Our China, Chinese heroic spirit lighting up

56 ethinic groups of brothers and sisters, is in one family
56 kinds of languages confine into one sentence, Love Our China!

Hai lo lilo hailo hai, hai lo lilo hailo hai, hai lo lilo hailo, lilo hailo, Love Our China!

(Repeat)

烛光映红天 Candlelights Light up the Whole Sky



The lyric is beautiful & implicable. There is no word "love" directly in it. However, one can still feel the deep love between the girl and the boy.

STORY: The boy wants to leave home to work outside for several years, maybe for saving money for his future wedding and his family. The girl will be waiting for him to be back.

Note: A lot of metaphor is used in the lyric. This is a typical style in Chinese folk songs. I add some explanations but they are not parts of the lyrics.

Title: Candlelights Light up the Whole Sky
Composer: Lei, Yuansheng (雷远生)
Lyrics by: Fan, Xiaobin (樊孝斌)
Lyrics:
In the day when my dear boyfriend you left,
the sour rains fell on my face.
(explanation: she was crying)

I kept talking but, still so many words were left in my heart.
(explanation: she did not say "I love you")

In my eyes, only an empty umbrella was left.
(explanation: no person under the umbrella, expressing her disconsolate feelings. Ideally, she and her boyfriend should walk together under the umbrella)

In the day when my dear boyfriend you left,
The red roses were blooming in my eyes.
(explanation: she was crying)

The sound of Souna seemed to be echoing in my ears.
(explanation: Souna is a kind of musical instrument (like a giant multi-tubing Flute, to make much more complex and emotionally expressive melody (added)), especially used in traditional Chinese wedding ceremony)

When would I wear my wedding dress for you?

Hopefully the Sun never goes down
(explanation: she wanted to stay with her boyfriend for more time)

I am afraid of overnight wind blowing across the window curtain.
(explanation: she will feel lonely after her boyfriend leaves)

My dear boyfriend away from home, do you know?
You are in my dreams, followed by dreams.

Hopefully the Sun never goes down
I am afraid of overnight wind blowing across the window curtain.
My dear boyfriend away from home, are you tired of working outside?
I am waiting for the day when a couple of candlelights light up the whole sky.
(explanation: She is waiting for a wedding day, when candles are lighted up)
(*REPEAT*)

About Song, Zuying:
Ms. Song Zuying is China's best-known female soprano of today. For nearly two decades, she has been a dedicated vocal performer in Chinese folk music. Her repertoire of nearly one thousand songs include Chinese folksongs and a number of arias, as well as many Chinese and overseas songs. She played important roles in Chinese Musicals "Regret for the Past", "Red Coral". She gave unique interpretations of arias in Chinese operatic performances. All these have made her highly popular among Chinese audiences. In the eyes of Chinese audiences, Ms. Song is a true star of the Oriental Arts. Born in Hunan Wulingyuan region, a place that has come to symbolize romance and legends in Chinese history, heralded as the residence of fairies and birthplace for generations of beauties; the area is still inhabited by Chinese ethnic minority groups known for their extraordinary talents in songs and dances. Song Zuying, a member of the Miao (Hmong) ethnicity, was one of those gifted.

(This Article Is Cited with Some Minor Editing .)

Inside Red China - 1957 by Robert Carl Cohen

Sailing the Seas Depends on the Helmsman (大海航行靠舵手)

Tuesday, July 24, 2007